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A personal and private look at Anita Baker. Is the price of fame and fortune too high?

Ebony, Jul. 7, 1989
by Lynn Norment

A Personal And Private Look At Anita Baker

Not too long ago, sultry singer Anita Baker was mainly concerned about paying her rent. Today, she doesn't have to worry about how to pay for her new Jaguar XJS or her beautiful three-story home on Lake St. Clair in Grosse Pointe, Mich. But she is paying the price of fame and fortune as one of the music industry's hottest commodities.

Ms. Baker's voice is a rich, romantic contralto, her songs are steeped in passion and feeling. Her current Giving You The Best That I Got LP has sold almost four million copies, gaining on her successful 1986 Rapture album, which sold more than five million. In addition, she has earned five Grammy Awards, two NAACP Image Awards, four Soul Train Music Awards, and two American Music Awards.

In an interview at the ritzy Peninsula Hotel in New York, the high-spirited singer readily acknowledges that her rapid rise to the top in the volatile music industry did not come without a price. She is paying dearly with hard work and tears, with the constant fight to be taken seriously while at the same time trying to maintain her individuality and protect her privacy.

"The price is really high," she says of fame and success, while sipping tea from a beautiful china cup in her tastefully appointed suite. "It's really high if you want to remain a person. If you want to be a 'star' on a pedestal, which I don't want to be, then it is a little easier. I think it is more difficult when you want to remain a real person."

For Anita Baker, the real person is a down-to-earth woman who shuns fancy clothes and makeup, a grown-up who delights in riding her bike and otherwise cutting up with the neighborhood children. She is the homemaker who enjoys decorating her new house and working in her rose garden. She is the ordinary person who loves pizza and Chinese food, the proud wife who prepares homemade biscuits for her husband. She is the somewhat shy young woman who admits that she isn't too good at making new friends, but is especially close to her family. She is also the talented but astute artist who sings, writes music and co-produces her own albums.

Ms. Baker got a well-rounded introduction to coping with the real world while being raised in Detroit (along with five sisters and a brother) by an aunt and uncle she calls her mom and dad. While growing up she sang in small storefront churches and later joined the group Chapter 8, which released an album in 1980. After record company honchos decided that Anita Baker couldn't sing, she temporarily abandoned a recording career and worked as a bar waitress and then as a legal secretary before being lured back into the business with an offer to make a solo album. She never got a penny for the somewhat successful 1983 Songstress LP, which had the hit single "Angel," and she even had to go to court to get the contract voided so she could sign with Elektra Records.

When her Rapture album took the country by storm in 1986 and made Ms. Baker a star, she discovered that life at the top was still filled with inequities and injustices. She's been insulted by fans who probably meant well and by catty "wannabe" stars who obviously meant every nasty word. She's had to endure countless comparisons to Janet Jackson, Sade and Whitney Houston, whom she speaks of warmly and now considers a friend. And she's had to constantly suppress her desire to eat her favorite foods in order to keep her well-proportioned, petite figure from becoming pudgy.

She has also had to contend with being "judged" by the media. During her very first concert tour, which lasted a year and a half, the press circulated the word that though Anita Baker was indeed a gifted singer and a tantalizing performer, she was also temperamental, bitchy and difficult to deal with. These rumors were enhanced by her frequent expressions of displeasure with the sound technicians in the midst of her concerts.

During the more recent tour with Luther Vandross, the sound was excellent but word spread that feelings were so bad between Ms. Baker and Vandross that the two golden-voiced balladeers were not even speaking to each other. But the most painful experience for the feisty, articulate singer was the media exploitation of her pregnancy and subsequent miscarriage last January.

"That was hard enough to go through in private, not to mention in the media," she says, adding that she almost burst into tears when an airport security guard said, 'I'm sorry about your baby.' "The good thing that came out of it was that people from all walks of life came forth to express their concern. It's scary, real scary," she says, reflecting on the horror of losing her baby. "But we hope to have another baby. It's fun trying."

Through all of this, she was comforted by her husband and constant companion, Walter Bridgeforth, an IBM marketing specialist whom she met four years ago while shopping and married on Christmas Eve. "Before I met Walter, I just kept everybody at arm's length," she says. "I had to put distance between my relationships and my music. But Walter and I share everything. Everything! I'm very comfortable with him, and I'd never experienced that before. Now that we are married, people say that it's not supposed to be exciting anymore, but it still is. The sparks are still flying, everyday."

And not just between the newlyweds. The star goes on to tell how a few days earlier, a Chinese carryout restaurant in Beverly Hills had refused to give her the order for which she had paid, accusing her of trying to get a free meal. "I went crying to the police station I was so upset," she says. "They called the restaurant, which offered to give me another order. After the way they had talked to me, I didn't want anything they put in that bag. I wanted to sue them for defamation of character, but Walter said you just don't do that for $20 worth of food."

She says the incident probably occurred because she was a Black woman dressed in "scuffy gym shoes" in a posh Beverly Hills neighborhood. "People see you and immediately make judgments because of the way you are dressed," she says. "This is one of my pet peeves and it still happens to me all the time. When I'm not working, I don't put on makeup. I don't dress up. I pull these fingernails off," she says gesturing with her 10 beautifully sculpted pink nails.

"When I go to the mall, people see me and they go, 'Is that Anita Baker?' And I can hear them saying behind my back, 'No, that's not her. She wouldn't be dressed like that.' But I'm a person and I must be able to relax."

EBONY: Is this the price of fame and success?

BAKER: I thought that paying my dues meant struggling around in clubs. There is a different kind of price you pay when you are successful. It's the "make-everybody-happy syndrome." I recently went to the annual NAACP fundraiser in Detroit, which is a very big affair. Another organization was very upset because I could not attend their affair the night before. But I must have some time to spend with my husband and family. It is very difficult to please everybody. I'm pulled in so many directions. You can't put yourself in a fax machine and go out in different directions. . . . And I always thought that my music would be more important than the way I look, but that's not it. I don't like the fact that so much rides on being glamorous.

EBONY: Are you willing to pay this price for fame and fortune?

BAKER: I've got to! [Here she breaks into laughter.] I've come to like the way I live. I like the financial freedom to help my family, to be able to relax and not worry about what it costs. That is one of the positives.

EBONY: Do you regret anything that has happened during the three years since Rapture was released?

BAKER: I regret I didn't do my first video in jeans and a T-shirt, then I could have stayed that way. That's the only thing I regret. It must be wonderful to be like Tracy Chapman, to put on your jeans and your jacket and to go on stage. Then people wouldn't expect me to be all gussied up.

EBONY: Do you think that people judge you incorrectly or too much?

BAKER: I think that my fans have a pretty good lead on me, but I think a lot of the times the critics can be a little hard. . . . I used to nut off on the sound man, while on stage. If they [critics] knew me they would understand that that's just me. I cannot act like nothing is bothering me.

EBONY: Is that because you are an honest person?

BAKER: It's not about honesty. When something is bothering me . . . what it is, is that I have no self-control. [Again, she breaks into uncontrollable laughter.] I'm not the actress that most professional people have to become.

EBONY: What is the private Anita Baker really like, the real person?

BAKER: My hair is a little tousled, not perfect, a little rough around the edges, but I like that. I lack self-control. I try to curtail it but it makes me unhappy to sit and just take stuff. Then I go home and blow off steam. Walter says to me, "Don't you think you've earned the right to be yourself?" I'm never profane. I'm never abrasive. But I feel I have earned the right to be myself--tousled!

EBONY: Are you moody, bitchy?

BAKER: Yes, I can be moody. I can be bitchy. I can be all of that--just like any other person. But when I'm moody and bitchy, I keep my butt at home.

EBONY: What makes Anita Baker angry?

BAKER: Rude people. Pretentious people. Loud music.

EBONY: During your tour with Luther Vandross, there were rumors that you two didn't get along. In retrospect, how do you feel about Luther?

BAKER: We were judged by the media. I just wish that Luther and I had talked face-to-face, just once. We didn't. It would have made a difference. I hope that at some point in the future we will take time to do that. We should have talked instead of our managers and promoters talking.

MS. Baker is seldom at a loss for words. And though she has had her show business disappointments, she is not discouraged. Actually, she is delighted that her Giving You The Best LP has been so well received, for she says she was so intimidated by the success of Rapture that she was "paralyzed" during the production of the more recent album. But that kind of self-imposed pressure is not hampering work on her next release, for she is already relaxing at home and writing new songs--and studying songwriting as well--as she ponders the direction the album will take. Though she has achieved immense success with her proven formula of love ballads seasoned with pop, jazz and gospel, she wants to branch out. "There are things that go on in my life besides the battle of the sexes," she says. "That is a part of life, but there are other things that are equally important."

Though she knows it will be controversial, she wants to do a song encouraging Black women to take more pride in their hair. "Long tresses down to the floor can be beautiful, if you have that," she says, "but learn to love what you have."

For good reason, Anita Baker loves what she has--a successful career doing what she enjoys, a gorgeous home near her family in Detroit, and a husband who adores her. She says the positive aspects of fame and fortune far outweigh the negatives. And for that she is willing to pay the price.
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